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Grammar detail: particle が

particle が
archaic possessive
114 words
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In classical Japanese, the particle が was used instead of the modern の.
お
くめ
粂
の
め
目
には、
ちち
父
が
ふで
筆
のはこびにすこしの
くる
狂
い
も
み
見
いだされなかった
。
Okume detected not even the slightest bit of sloppiness in her father’s brushstrokes.
This is from the famous novel
よあけまえ
夜明け前
(Before the Dawn) by (1872–1943).
Here we see
ちち
父
が
ふで
筆
(father's brush). In modern Japanese, this would be
ちち
父
の
ふで
筆
. Notice how the contemporary possessive の was already in use - it's used in the same sentence:
ちち
父
が
ふで
筆
のはこび (progress of [her] father's brush). Modern Japanese would simply repeat the の, arguably leading to a slightly less nuanced presentation.
This use of が can still be found in such words as (my; our), which is commonly seen in words such as (my/our country = Japan) and (my/our home) today.
わ
我
が
くに
国
の
しょうしゃ
商社
は
せかい
世界
をまたにかけて
しょうばい
商売
をする。
Our trading companies do business all over the world.
いかに
そまつ
粗末
であろうとも
わ
我
が
や
家
に
まさ
勝
る
ところ
所
はない。
Be it ever so humble, there's no place like home.
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Kanji used in this grammar

夜
ヤ   よる    よ night   
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明
メイ   ミョウ   あかり light   あかるい bright   あかるむ to brighten   あからむ to become luminous (at dawn)   あきらか obvious   あかす to lay bare   あく to open   あける to empty   
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前
ゼン   まえ before   
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島
トウ   しま island   
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崎
さき headland, small peninsula   
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藤
トウ   ふじ wisteria   
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村
ソン   むら village   
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父
フ   ちち father   
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筆
ヒツ   ふで writing brush   
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我
ガ   I; myself   われ    わが-    
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国
コク   くに country   
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家
カ   ケ   house   いえ    や    
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粂
くめ used in proper names (kokuji)   
目
ボク   モク   eye   ま-    め    
狂
キョウ   mad   くるう to go mad   くるおしい to be nearly mad (with worry / grief)   
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見
ケン   みる to see   みえる to be seen; to appear   みせる to show   
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商
ショウ   trader   あきなう to trade, deal in   
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社
シャ    company   やしろ Shinto shrine   
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世
セ   セイ   よ the world   
界
カイ    world   
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売
バイ   うる to sell   うれる to be selling; be in demand   
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粗
ソ   あらい coarse, rough   
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末
マツ   バツ   すえ end   
勝
ショウ   かつ to win   まさる to be better than   
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所
ショ   ところ place   
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